They invent the problem. They develop the product. And sell it for billions. The facts are hard to believe, but fatal to ignore.
“The Marketing of Madness”, produced by the Citizens Commission on Human Rights International, depicts the field of psychiatry as a money-grubbing industry dedicated to making a profit at the expense of the mental health of their own patients,
Digging deep beneath the corporate veneer, this three-part documentary exposes the truth behind the slick marketing schemes and scientific deceit that conceal a dangerous and often deadly sales campaign.
Psychotropic drugging is big business. The new documentary is the story of big money–drugs that fuel an 80 billion dollar psychiatric industry, without a single cure. The cost in human terms is even greater. These drugs now kill an estimated 42,000 people every year. And the death count keeps rising. Containing more than 175 interviews with lawyers, mental health experts, the families of victims and the survivors themselves, this riveting documentary rips the mask off psychotropic drugging and exposes a brutal but well-entrenched money-making machine.”
In watching the video one will see how normal active children are forced into taking mind altering and addictive drugs with damaging and sometimes fatal consequences with their parents powerless against the coercive onslaught of falsehoods opinions and the "chemical imbalance" hoax which is foisted on them as ”fact".
Brian Beaumont, the president of the Vancouver chapter of CCHR said, “They invent the problem. They develop the product. And sell it for billions. Brutally factual, this 90-minute documentary exposes the greatest financial con this planet has ever seen. The facts are hard to believe, but fatal to ignore. “We are very proud of our new documentary and plan many more in the future.”
The Citizens Commission on Human Rights was established by the Church of Scientology to investigate and expose psychiatric violations of human rights. To View a preview of the new Video go to http://www.cchr.org.
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